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¡á Mastering Console

  

Manley LabÀº Áö³­ 1994³â ºÎÅÍ ¸Å³â TEC Awards¿¡ NominationµÇ¾î ¿ÔÀ¸¸ç 2001³â¿¡´Â Small format consoleºÎ¹®¿¡¼­ Mastering ConsoleÀÌ NominationµÇ±âµµ ÇÏ¿´À¸¸ç,
ÇöÀç Bob Ludwig's Gateway Mastering, Masterdisk in NYC, Precision Mastering in Hollywood ±×¸®°í Oasis mastering in Los Angelesµî ¼¼°è À¯¼öÀÇ Mastering Studio¿¡¼­ »ç¿ëµÇ°í ÀÖ´Ù.
 


Custom Mastering Consoles
Yes we do! We have built a fair number of mastering consoles and we are pretty well versed in the general needs of mastering. So far, each console we have built has been different and we have worked closely with the mastering engineer to meet their individual needs. We have certain techniques that combine enough audiophilia with pro performance. We acknowledge that the requirements of mastering are truly demanding, but we're used to that by now.

Manley Mastering Consoles are based on a few simple and proven philosophies:

1) We try to make them as "passive" as possible using switches (or relays) and as few amps as possible.

2) We try to simplify where possible and discourage the "every possible feature syndrome" for this application. Each feature brings in a penalty of a possible compromise in signal quality and also adds to the price. Console reliability is a big reality.

3) Highest quality switches, parts, wire and connectors etc throughout. Componentry WE have a ten-year track record with. No compromise on quality anywhere.

There are a number of basic types of mastering console and they are all very different from recording mixers.

1) Primarily Monitoring: These generally have 3 to 6 inputs that can be routed to a processing path and a monitoring path. These would have a big 24 position detented monitor control in 2 dB steps, mono, mute, and buttons to select 1 pair of 4 sets of monitors. They may have meters (usually with attenuation), 1/2 dB level trims, "compare" (source & processed) buttons or other useful features.

2) Primarily Processing: Selection of 4 to 6 "inserts", level trims, metering, fader, M/S (Vertical/Lateral), etc.

3) Cutting: Similar to monitoring except with a preview path plus some remotes to the lathe.

4) Digital: Sorry we do not do that yet except for the WaveDAC which has 4 analog inputs, 4 digital inputs, insert, volume control and speaker selection. At present we have a 20 bit UltraAnalog DAC and it will be upgradable/available with a 24/96 DAC in 2000. This may be the most cost effective if your studio is new or perhaps "project mastering" is a reasonable way to describe it.

5) Modular: Relay switching in 2U boxes for "inserts", source selection, destination select plus utility boxes with 1/2 dB +/- 6 dB detented gain trims, MS, etc. One would patch together various boxes to perform most console functions at a lower cost and greater flexibility but it won't be quite as pretty.

Mastering Consoles just completed for:



Have a look... Here are just a few of our
Manley Custom Mastering Consoles
we have built in the last few years:


We build custom mastering consoles all the time. Pictured here is Hutch with a custom console we built in 1997 for King Studios Malaysia.












Below is the rear view of the above console


In October 2000 our most advanced mastering console to date was delivered to Masterdisk, NYC. We also built a twin to this console which was quickly snapped up by Bob Ludwig's Gateway Mastering in beautiful Portland, Maine.
We love Bob! Check out this great Boston Globe article about him. And this interview from MusicTap.net.


A few specs on this console:

Freq response :            +0, -0.3 dB                10 Hz to 200 kHz
THD&N :                      .002%   (-95dB)       10 Hz to 200 kHz (no prominent harmonics on FFT)
Dynamic Range :            125 dB                        (+30 dBu to -95 dB noise floor)
Max Input/Output :         +30 dBu  (monitor max out is +24 dBu unbalanced)
CMRR :                          -80 @ 1K Hz +4 dBu



Below is a lovely creation custom built in the summer of
1999 for Scott Hull at Classic Sound Mastering, NYC,



Completed 11/2001: Here's a great looking beast for
Tony Mantz at Jack the Bear Mastering in Australia.



Here is Tony's whole console installed in Australia:



Here is Bob Ludwig's new monitor controller shown during testing.
This module was designed to retro-fit into his existing Neumann mainframe.


And here is the finished module installed at Gateway Mastering.
The faceplate sure looks simple enough but take a look above at all the guts,
custom,one-off design by Hutch. Thank you again for the honor, Bob!



Just in time for Christmas 2000, Michael Au of iMusic Hong Kong
received his brand new Manley mastering console!



In April 2000 we built this wild console and metering box for Jurgen of JK MasterMix in Munich, Germany. Jurgen requested a crazy blue powder coat finish, akin to that one would find on a Harley Davidson... we'll do whatever it takes!




Here is Glenn Schick Mastering's Manley Processor Controller built in July 2000.